Sobol
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Christopher Leto
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A couple's quiet cabin retreat spirals into dread when they're warned never to open a locked door at the end of the hall. Obsession grows, whispers stir at night, and terror seeps through the walls in this chilling slow-burn horror.
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Jason Wan Lim
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科里·古德声称自己曾在一个秘密太空计划中服役长达20年，这一说法让他瞬间成为UFO界的偶像，但随后也让他深陷舆论漩涡。本纪录片追踪了他的崛起之路，并探讨了在“全民揭秘”时代，个人记忆、现代神话与大众媒体之间那种光怪陆离的交集。
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Kayci Lacob,Tom Nunan
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Described as a rite of passage film, the story follows a girl growing up in Silicon Valley in the shadow of Steve Jobs’ triumphant return to Apple, and his outsized influence on her imagination, ambitions and relationships. Ambudkar co-stars as ‘Mr. Shine’, an off-beat mentor who guides the obsessive millennial.
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Angela Tucker
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The Inquisitor tells the story of Barbara Jordan, an American politician, lawyer, educator, and public servant. Jordan’s ethical principles and interrogational skill served the United States at pivotal points in history, from the revision of the Voting Rights Act to the 1987 Supreme Court nomination hearings of Robert Bork.During the impeachment hearings of President Nixon in ...
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Rupert Russell
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THE LAST SACRIFICE uncovers the real-life witchcraft killing that inspired THE WICKER MAN and birthed the folk horror genre. This unsettling true-crime interrogation unlocks the perverse cultural undercurrents that shaped the genre from its murderous beginnings to its modern-day resurrection. This is a journey that gets under the skin of British polite society, that slays with ...
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艾什莉·麦肯齐
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry. Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
